Stevie Stone
3:02 PM
Innovations
, Posted in
columbia
,
glasses malone
,
missouri
,
Ruthless Records
,
slaughterhouse
,
tech n9ne
,
unchained melody
,
15 Comments
Stevie Stone is an 25 year old American rap artist from Columbia, Missouri who is currently signed to Ruthless Records, He was also on fellow Missouri rapper Tech N9ne's K.O.D. tour, along with Slaughterhouse and Glasses Malone.
“Music was really in my family, My mom plays the piano. My dad played the piano and all my siblings sing.” As Stone grew older and embarked on new paths, ripe with life altering decision making, hip-hop would become his sport of choice. “Around high school, I was in between what I wanted to do, I had a scholarship to play basketball at a college in Iowa but music was pulling me,” Stone says in his interview. It wasn’t until 2001 when Stone stepped on the stage and his future was ultimately determined for him. It was the first time Stone performed at a live show, Stone recollects, opening for several artists including fellow Missouri native Tech N9ne, with whom he would later establish a brotherhood bond.
Stone’s album was completed in 2008 with smart and witty lyricism, neologisms known as “Himmi Hyme” come from Stone’s “Himmihyminary” (a dictionary of self-created lingo), bumping baselines, and an uncanny yet appealing sound that just cannot be pigeonholed. From the title track and certified arrival anthem that boasts of impacting vocals over sparse yet percolating percussion to the dance-inciting, hard hitting, and hypnotizing melodic arrangement of “Rap Gamez Callin’,” Stone shows his dues debt has paid off. His first album and he’s already locked down collaborations with Murphy Lee on “Gotta Love G’s,” the St. Louis anthem with the contagious chorus, Tech N9ne on the head bobbing banger “Midwest Explosion,” and the iconic funk doctor George Clinton on the Stone’s remake of “Red Wine.” “That was a blessing,” Stone declares. “I did the joint (“Red Wine”) and the chief engineer on the song was able to get it to George Clinton. George thought it was hot and offered to jump on it. We sent him the track and he sent us the finished files back. I believe he was in Moscow when we got the track back.” Now that’s a feat even the most talented of established artists would have a hard time accomplishing. ‘Nuff said? Just throw a cape on this man’s back because with the release of New Kid Comin’, Stevie Stone solidifies his spot as more than just a savior to hip-hop, he’s a certified superstar.
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Single: Wait a Minute
“Music was really in my family, My mom plays the piano. My dad played the piano and all my siblings sing.” As Stone grew older and embarked on new paths, ripe with life altering decision making, hip-hop would become his sport of choice. “Around high school, I was in between what I wanted to do, I had a scholarship to play basketball at a college in Iowa but music was pulling me,” Stone says in his interview. It wasn’t until 2001 when Stone stepped on the stage and his future was ultimately determined for him. It was the first time Stone performed at a live show, Stone recollects, opening for several artists including fellow Missouri native Tech N9ne, with whom he would later establish a brotherhood bond.
Stone’s album was completed in 2008 with smart and witty lyricism, neologisms known as “Himmi Hyme” come from Stone’s “Himmihyminary” (a dictionary of self-created lingo), bumping baselines, and an uncanny yet appealing sound that just cannot be pigeonholed. From the title track and certified arrival anthem that boasts of impacting vocals over sparse yet percolating percussion to the dance-inciting, hard hitting, and hypnotizing melodic arrangement of “Rap Gamez Callin’,” Stone shows his dues debt has paid off. His first album and he’s already locked down collaborations with Murphy Lee on “Gotta Love G’s,” the St. Louis anthem with the contagious chorus, Tech N9ne on the head bobbing banger “Midwest Explosion,” and the iconic funk doctor George Clinton on the Stone’s remake of “Red Wine.” “That was a blessing,” Stone declares. “I did the joint (“Red Wine”) and the chief engineer on the song was able to get it to George Clinton. George thought it was hot and offered to jump on it. We sent him the track and he sent us the finished files back. I believe he was in Moscow when we got the track back.” Now that’s a feat even the most talented of established artists would have a hard time accomplishing. ‘Nuff said? Just throw a cape on this man’s back because with the release of New Kid Comin’, Stevie Stone solidifies his spot as more than just a savior to hip-hop, he’s a certified superstar.
--
Single: Wait a Minute
